Tuesday, February 5, 2008

Context--Maslow's Hierarchy of Needs

Context--Maslow's Hierarchy of Needs
from http://www.businessballs.com/maslow.htm
1. Biological and Physiological needs - air, food, drink, shelter, warmth, sex, sleep, etc.
2. Safety needs - protection from elements, security, order, law, limits, stability, etc.
3. Belongingness and Love needs - work group, family, affection, relationships, etc.
4. Esteem needs - self-esteem, achievement, mastery, independence, status, dominance, prestige, managerial responsibility, etc.
5. Self-Actualization needs - realising personal potential, self-fulfillment, seeking personal growth and peak experiences.

According to Maslow's theory, lower level needs must be met before the human (or organization) can move on the seeking to satisfy the next level.

Links to Other Dystopia Sites

Here are a couple of links to other sites about dystopias.

Dr. Olmsted recommends this one:

http://hem.passagen.se/replikant/dystopia_categorisation.htm



I like this one's list of Top 50 Dystopian Movies of All Time:

http://snarkerati.com/movie-news/the-top-50-dystopian-movies-of-all-time/


My favorite dystopian TV series is here:

http://www.scifi.com/battlestar/


Some novel suggestions from the British magazine The Guardian:

http://books.guardian.co.uk/top10s/top10/0,6109,1555604,00.html

Context--Antisocial Personality Disorder

Context--Antisocial Personality Disorder
from http://www.mayoclinic.com/health/antisocial-personality-disorder/DS00829

Antisocial personality disorder is a condition in which people show a pervasive disregard for the law and the rights of others. People with antisocial personality disorder may tend to lie or steal and often fail to fulfill job or parenting responsibilities. The terms "sociopath" and "psychopath" are sometimes used to describe a person with antisocial personality disorder.

Early adolescence is a critical time for the development of antisocial personality disorder. People who grow up in an abusive or neglectful environment are at higher risk, and adults who suffer from the disorder were usually showing behavioral problems before the age of 15. Antisocial personality disorder affects men three times as often as it does women and is much more prevalent in the prison population than in the general population.

Symptoms

Common characteristics of people with antisocial personality disorder include:
Persistent lying or stealing
Recurring difficulties with the law
Tendency to violate the rights of others (property, physical, sexual, emotional, legal)
Aggressive, often violent behavior; prone to getting involved in fights
Inability to keep a job
A persistent agitated or depressed feeling (dysphoria)
Inability to tolerate boredom
Disregard for the safety of self or others
A childhood diagnosis of conduct disorders
Lack of remorse for hurting others
Possessing a superficial charm or wit
Impulsiveness
A sense of extreme entitlement
Inability to make or keep friends

Context--Ecofeminism

Ecofeminism
from http://en.wikipedia.org/wiki/Ecofeminism


Ecofeminism is minor social and political movement which attempts to unite environmentalism and feminism, with some currents linking deep ecology and feminism. Ecofeminists argue that a relationship exists between the oppression of women and the degradation of nature, and explore the intersectionality between sexism, the domination of nature, racism, speciesism, and other characteristics of social inequality. Some current work emphasizes that the capitalist and patriarchal system is based on triple domination of the "Southern people" (those people who live in the Third World, the majority of which are south of the First World), women, and nature.

Ecofeminist analysis
Ecofeminism, or ecological feminism, is a term coined in 1974 by Françoise d'Eaubonne. It is a philosophy and movement born from the union of feminist and ecological thinking, and the belief that the social mentality that leads to the domination and oppression of women is directly connected to the social mentality that leads to the abuse of the environment. It combines eco-anarchism or bioregional democracy with a strong ideal of feminism. Its advocates often emphasize the importance of interrelationships between humans, non-human others (e.g., animals and insects), and the earth.

A central tenet in ecofeminism states that male ownership of land has led to a dominator culture (patriarchy), manifesting itself in food export, over-grazing, the tragedy of the commons, exploitation of people, and an abusive land ethic, in which animals and land are valued only as economic resources. Other ecofeminists explain how the degradation of nature contributes to the degradation of women.

For example, Thomas-Slayter and Rocheleau detail how in Kenya, the capitalist driven export economy has caused most of the agriculturally productive land to be used for monoculture cash crops. This led to intensification of pesticide use, resource depletion and marginalization of the subsistence farmers, especially women, to the hillsides and less productive land, where their deforestation and cultivation led to soil erosion, furthering the environmental degradation that hurts their own productivity (Thoma-Slayter, B. and D. Rocheleau. (1995) Gender, Environment and Development in Kenya: A Grassroots Perspective).

Vandana Shiva makes it clear that one of the missions of ecofeminism is to redefine how societies look at productivity and activity of both women and nature who have mistakenly been deemed passive, allowing for them both to be ill-used. For example, she draws a picture of a stream in a forest. According to her, in our society it is perceived as unproductive if it is simply there, fulfilling the needs for water of women’s families and communities, until engineers come along and tinker with it, perhaps damming it and using it for generating hydropower. The same is true of a forest unless it is planted with a monoculture plantation of a commercial species. A forest may very well be productive, protecting groundwater, creating oxygen, allowing villagers to harvest fruit, fuel, and craft materials, and creating a habitat for animals that are also a valuable resource. However, for many, if it isn't for export or contribution to GDP, without a dollar value attached, it cannot be seen as a productive resource (4 Staying Alive: Women, Ecology and Development 1988).

Some ecofeminists point to the linguistic links between oppression of women and land, such as the terms, "rape the land", "tame nature," and "reap nature's bounty." Terms also express nature as feminine (using the pronoun "she" and the term "Mother Nature") and women as "wild" and "untamed" (like nature). Ecofeminists also criticize Western lifestyle choices, such as consuming food that has travelled thousands of miles and playing sports (such as golf and bobsledding) which inherently require ecological destruction.

Feminist and social ecologist Janet Biehl has criticized ecofeminism as idealist, focusing too much on the idea of a mystical connection with nature and not enough on the actual conditions of women. However, this line of criticism may not apply to many ecofeminists who reject both mysticism and essentialist ideas about the connection between women and nature. This antiessentialist ecofeminism has become more prominent since the early 1990s: it has an epistemological analysis of the Enlightenment, places the spirituality in immanent world and then practices modern activism. The materialist ecofeminism discuss economical and political issues and can use metaphorically the link of Great mother earth or Gaia (while the idealistic tendency uses it literally.

Views on technology
Françoise d'Eaubonne proposed a cooperative system in small unities (villages) with autonomization, without alienating technology. With ecofeminist ideals and pagan practices, these projects are sometimes seen as a form of primitivism. However, while some ecofeminists see technology as inherently alienating, many see a substantial role for modern technologies in the creation and operation of such villages. A number of ecofeminists advocate the use of technologies such as solar power as a way to stay off 'the grid', which they regard as more important than relying upon poisonous industrial processes or materials. The ecological movement is itself split on issues like this. However, it is likely that an intermediate technology, appropriate technology, would be preferred in general if an ecofeminist movement sought to spread into developing nations quickly.

Schools of Feminist Thought
There are different relevant schools of feminist thought and activism that relate to the analysis of the environment. Ecofeminism argues that there is a connection between women and nature that comes from their shared history of oppression by a patriarchal western society; this connection also comes from the positive identification of women with nature. This relationship can be argued from an essentialist position, attributing it to biological factors, or from a position that explains it as a social construct. Vandana Shiva explains how women's special connection to the environment through her daily interactions with it has been ignored. "Women in subsistence economies, producing and reproducing wealth in partnership with nature, have been experts in their own right of holistic and ecological knowledge of nature’s processes. But these alternative modes of knowing, which are oriented to the social benefits and sustenance needs are not recognised by the [capitalist] reductionist paradigm, because it fails to perceive the interconnectedness of nature, or the connection of women’s lives, work and knowledge with the creation of wealth.”

Feminist environmentalists study gender interests in natural resources and processes based on their different roles in daily work and responsibilities. Social feminists focus on the role of gender in political economy by analyzing the impact of production and reproduction of men and women’s relation to economic systems. Feminist poststructuralists explain gender’s relation to the environment as a reflection of beliefs of identity and difference such as race, class, gender, age, and ethnicity. In this way it tries to explain the relation of gender and development. Liberal feminist environmentalists treat women as having an active role in environmental protection and conservation programs. This role can become problematic. There is a common symbolism in the idea of ‘man’ pitted against nature while nature is feminized and “woman” is assumed to have profound connections with her environment. This becomes problematic because it places all the responsibility for conserving on her rather than him and doesn’t allow her to be seen as profiting from using the environment as well.

These views of gender and environment constitute feminist political ecology, which links feminist cultural ecology, political ecology, geographical ecology and feminist political ecology into one concept. It argues that gender is a relevant factor in determining access and control of natural resources as it relates to class, race, culture and ethnicity to transform the environment and to achieve the community’s opportunities of sustainable development.

Discussion Questions

Discussion Questions: Margaret Atwood’s Oryx and Crake

We made these up ourselves! If you don't see any you like, there's another set of discussion questions near the bottom of the page.


1. In many ways, Margaret Atwood’s Oryx and Crake can be read as an social critique of our contemporary culture through the lens of ecofeminism (see blog, under “Reading in Context: Issues to Think About in Oryx and Crake” for details on ecofeminism). In what ways does Atwood critique Big Science, capitalism, the class system (note the division of classes in the novel: the privileged live in compounds separated from the underprivileged pleeblanders), mass media (i.e. television, the gaming culture, and internet), technology, human trafficking and the sex trade, the treatment of nature and animals, hierarchies, and the socialization of gendered roles/norms?

2. How do you account for Atwood’s depiction of Jimmy’s mother (who is demonized by Jimmy and his father)? How did you initially feel about her, and did those feelings change as the novel progressed?

3. In what ways does Jimmy’s father try to socialize him into societal norms/definitions of masculinity or manhood? Did you notice any gendered roles among the Crakers? What can account for these? Were you surprised that strict gender roles still seemed important to the people of the future?

4. Much of Jimmy/Snowman’s thinking and behaviors are comparable to that of a sociopath. Read the definition and/or characteristics of a sociopath on the blog (under the “Reading in Context: Issues to Think About in Oryx and Crake”) and apply these to Jimmy/Snowman. Do they apply to Crake?

5. In what ways did the Oryx character function in the novel? Did you believe the things she told Jimmy? In some ways, if we accept Oryx’s accounts as truth, she seems to have developed a kind of Stockholm’s syndrome perspective of her captors when she was victim of the sex trade/human trafficking. Discuss this issue. Do you think Jimmy or Crake genuinely loved her? Explain.

6. Discuss Maslow’s Hierarchy of Needs in reference to the novel (the privileged groups living in compounds, the pleeblanders, and Crakers). See the information on Maslow’s Hierarchy of Needs on the blog for further information (under the “Reading in Context: Issues to Think About in Oryx and Crake”).

7. What did you make of the red parrot? What was its’ significance?

8. What was the significance of Jimmy’s nickname, “Snowman?”

9. How guilty/involved/responsible did you feel that Crake was for occurrences at the end of the novel? Do you think he manipulated Oryx and Jimmy/Snowman for his plans?

10. What future do you foresee for the Crakers? Will their society be better (in terms of hierarchies, racism, sexism, classism, oppression, etc.) than a human one? Discuss.

11. Atwood says Oryx and Crake "is speculative fiction, not science fiction." Read the genre descriptions of both. Is this a work of science fiction? What reasons (marketability, academic clout) might Atwood have to attempt to distance herself from the label of "sci-fi?"

12. Read the negative review of Orxy and Crake from scifi.com (in blog). Do you agree/disagree with the points made? Is this work good feminist speculative fiction but bad sci-fi? Is there a high brow/low brow divide here? A gendered divide?

13. Read the common formula for dystopic narrative from the blog. In what ways does Oryx and Crake conform to this formula? In what ways does it differ?

Interview with Margaret Atwood

Interview from http://www.bookreporter.com/authors/au-atwood-margaret.asp#talk

Interview: Margaret Atwood on Oryx and Crake

AUTHOR TALK


Margaret Atwood has written more than thirty books of fiction, poetry and critical essays. Her latest novel is the stunning and provocative ORYX AND CRAKE. In this interview Atwood talks about her decision to include a male protagonist in ORYX AND CRAKE, her own spiritual philosophy and the application of humor in the novel's serious premise.


Q: Most of your previous novels have female protagonists. Was it a conscious decision to have a male protagonist for ORYX AND CRAKE, or did Snowman simply present himself to you?

MA: Snowman did present himself to me, yes, dirty bedsheet and all. For this novel, a woman would have been less possible. Or let's say that the story would have been quite different. If we are writers, we all have multiple selves. Also, I've known a lot of male people in my life, so I had a lot to draw on.

Q: When THE HANDMAID'S TALE was published, Contemporary Authors listed your religion as "Pessimistic Pantheist," which you defined as the belief that "God is everywhere, but losing." Is this still an accurate description of your spiritual philosophy?

MA: I expect you don't have the foggiest what I meant in the first place. On bad days, neither do I. But let's argue it through.Biblical version, see Genesis: God created the heaven and the earth --- out of nothing, we presume. Or else: out of God, since there was nothing else around that God could use as substance.Big Bang theory: says much the same, without using the word "God." That is: once there was nothing, or else "a singularity." Then Poof. Big Bang. Result: the universe.So since the universe can't be made of anything else, it must be made of singularity-stuff, or God-stuff --- whatever term you wish to employ. Whether this God-stuff was a thought form such as a series of mathematical formulae, an energy form, or some sort of extremely condensed cosmic plasma, is open to discussion.Therefore everything has "God" in it.The forms of "God", both inorganic and organic, have since multiplied exceedingly. You might say that each new combination of atoms, molecules, amino acids, and DNA is a different expression of "God." Therefore each time we terminate a species, "God" becomes more limited.The human race is terminating species at an alarming rate. It is thereby diminishing God, or the expressions of God.If I were the Biblical God I would be very annoyed. He made the thing and saw that it was good. And now people are scribbling all over the artwork.It is noteworthy that the covenant made by God after the flood was not just with Noah, but with every living thing. I assume that the "God's Gardeners" organization in ORYX AND CRAKE used this kind of insight as a cornerstone of their theology.Is that any clearer?

Q: You grew up among biologists; the "boys at the lab" mentioned in the novel's acknowledgements are the grad students and post-docs who worked with your father at his forest-insect research station on northern Quebec. Does being a novelist make you an anomaly in your family? Is writing fiction much different from doing science?

MA: My brother and I were both good at science, and we were both good at English literature. Either one of us could have gone either way. My father was a great reader, of fiction, poetry, history --- a lot of biologists are. It is of course a "life science." So I wouldn't say I was an anomaly in the family. We all did both. We were omnivores. (I read then --- and still read --- everything, including cereal packages. No factoid too trivial!)The family itself was an anomaly, but that's another story. I do have an aunt who writes children's stories. I was not exactly isolated and misunderstood. I was probably egged on, at least by some. I don't think they were expecting the results, but then, neither was I.Science and fiction both begin with similar questions: What if? Why? How does it all work? But they focus on different areas of life on earth. The experiments of science should be replicable, and those of literature should not be (why write the same book twice)?Please don't make the mistake of thinking that ORYX AND CRAKE is anti-science. Science is a way of knowing, and a tool. Like all ways of knowing and tools, it can be turned to bad uses. And it can be bought and sold, and it often is. But it is not in itself bad. Like electricity, it's neutral.The driving force in the world today is the human heart --- that is, human emotions. (Yeats, Blake - every poet, come to think of it --- has always told us that.) Our tools have become very powerful. Hate, not bombs, destroys cities. Desire, not bricks, rebuilds them. Do we as a species have the emotional maturity and the wisdom to use our powerful tools well? Hands up, all who think the answer is Yes. Thank you, sir. Would you like to buy a gold brick?

Q: You've mentioned the fact that while you were writing about fictional catastrophes in ORYX AND CRAKE, a real one occurred on September 11. Did that experience cause you to change the storyline in any way?

MA: No, I didn't change the plot. I was too far along for that. But I almost abandoned the book. Real life was getting creepily too close to my inventions --- not so much the Twin Towers as the anthrax scare. That turned out to be limited in extent, but only because of the limitations of the agent used.It's an old plot, of course --- poisoning the wells. As for blowing things up, the Anarchists were at it for fifty years in the later 19th and earlier 20th centuries. Joseph Conrad has a novel about it (THE SECRET AGENT). So does Michael Ondaatje (IN THE SKIN OF A LION). And the Resistance in World War Two devoted itself to such things. The main object of these kinds of actions is to sow panic and dismay.

Q: Though the book's premise is serious, you included many wordplays and moments of deadpan humour. Was this difficult to achieve, or did it arrive naturally during the storytelling process?

MA: My relatives are all from Nova Scotia. That's sort of like being from Maine. The deadpan humour, the scepticism about human motives, and the tendency to tell straight-faced lies for fun, to see if you can get the listener to believe them.The French have an expression: "Anglo-Saxon humour." It isn't the same as wit. It's dark; it's when something is funny and awful at the same time. "Gallows humour" is called that partly because highwaymen about to be hanged were much admired if they could crack a joke in the face of death.When things are really dismal, you can laugh or you can cave in completely. Jimmy tries to laugh, though some of the time he's pretty out of control, as most of us would be in his position. But if you can laugh, you're still alive. You haven't given up yet.

Monday, February 4, 2008

Context--Wallpaper and Sound

The wallpaper and sound for this page were chosen deliberately.

The wallpaper is made from Hieronymus Bosch's triptych Garden of Earthly Delights. Painted in the early 1500s for wealthy secular patrons, the triptych is meant to be read from left to right. The left panel is The Garden of Eden before the fall of man. (The paperback cover for Oryx and Crake was taken from this panel--the three little critters from the front cover are above and to the right of the white giraffe.) The middle panel represents orgiastic, earthly sin, and the right panel damnation. When the doors are closed, the earth appears inside a sphere. For a better look at the art and info about the artist:

http://en.wikipedia.org/wiki/Garden_of_Earthly_Delights#Left_panel

http://en.wikipedia.org/wiki/Hieronymus_Bosch


The sound is "Run Straight Down" from Warren Zevon's dystopic 1989 album Transverse City.

I found this album at Great Escape (our local cd store) while I was reading Oryx and Crake for the first time, in the summer of 2007. It seemed like the perfect soundtrack for the novel.

The lyrics:

(4-Aminobiphenyl, hexachlorobenzene Dimethyl sulfate, chloromethyl methylether 2, 3, 7, 8-Tetrachlorodibenzo-para-dioxin, carbon disulfide)

(Dibromochloropane, chlorinated benzenes, 2-Nitropropane, pentachlorophenol, Benzotrichloride, strontium chromate 1, 2-Dibromo-3-chloropropane)

I went walking in the wasted city
Started thinking about entropy
Smelled the wind from the ruined river
Went home to watch TV

And it's worse when I try to remember
When I think about then and now
I'd rather see it on the news at eleven
Sit back, and watch it run straight down

Run straight down
Run straight down
I can see it with my eyes closed
Run straight down

We've been living in the shadows all our lives
Where it's stand in line and don't look back and don't look left and don't look right
So we hide our eyes and wonder who'll survive
Waiting for the night...

Fluorocarbons in the ozone layer
First the water and the wildlife go
Pretty soon there's not a creature stirring
'Cept the robots at the dynamo

And it's worse when I try to remember
When I think about then and now
I'd rather see it on the news at eleven
Sit back, and watch it run straight down

Run straight down
Run straight down
I can see it with my eyes closed
Run straight down



http://en.wikipedia.org/wiki/Warren_Zevon